The Korea National University of Arts is one of the leading art universities in Seoul, South Korea, which has very strong graduate and postgraduate programs in visual arts. I was invited by the Faculty of Fine Arts for a four-month visiting researcher program. In this four-month program (AMFEK), I carried out studio-based research on the theme of the body and produced a body of work that includes paintings and drawings. The studio-based research was exhibited as an exhibition that was curated by myself. The exhibition was titled Skins. The catalog includes the text with my curatorial notes and the reproduction of the works
The 1950s was a period that marked significant changes that happened on both the super and infrastructures of Sri Lanka. Such changes were reflected in cultural lives and their productions made within that context. In particular, from a political, social, and cultural point of view, the year 1956 was significantly traced as a period that the mainstream ideological belief of the country was turned into another direction (maybe with a belief of a positive future). At that time the state of the country thought that the roots of Sri Lankan energetic forces had been hidden, therefore, such forces should be re-generated. It formed a new political movement with empowering native five great forces. In this text, I am not going to discuss such issues and areas, obviously, it is another research. The reason that I slightly mentioned such historical background is because the subject of this text; "the Red Youth" (pic: 1) was painted in the year 1956. In 2018 (I cannot remember the exa
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