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About Me


My name is Dumith Kulasekara. I am an artist, curator and independent researcher. I was a senior lecturer in painting and drawing at the Department of Painting, Faculty of Visual Arts of the University of Visual and Performing Arts, in Colombo, Sri Lanka. In my research, I explore the themes of gender, memory, traumas, body and psychoanalytical reading of art, its influences and reflections on visual arts practice.

I was born in Colombo and grew up in a family that had a strong art and craft practice which has given me the instinctive energy to be active in the context of visual arts. My studio practice, writing, and research work are inevitably connected with my childhood memories and my relationship with society and the world around me. 

My research practice on trauma and visual arts started in 2004.  That was brought into the public as my first solo exhibition titled Trauma which was exhibited in Colombo in 2008. Extending the research on the theme of Trauma further into a deeper level within the studio and theoretical context, I encountered it with the public as my second solo show tilted the Symbolical Impossibility of Disavowing Trauma in 2011. The third solo show exhibited in Seoul in 2016 was titled The Skins which addressed the interrelationship between the exterior appearance of the body and interior hidden features as a metaphor for the presence and absence of trauma and memory. 
 
My formal education in visual arts began in 2002 with the enrollment in a BFA program in Painting at UVPA and completed in 2008. I received an MFA in Painting from the New York Academy of Art in New York, in the USA between 2012 and 2014 for which I was awarded a two-year Fulbright Scholarship by the Fulbright Commission in Colombo and the USA.  In the USA, I have received special training in 'the Old-Masters' painting at the Metropolitan Museum of Art, New York.

In addition, I have received an education at the University of Davis in California in USA in 2012, at Kyung Hee University in Seoul, South Korea. In 2016, I was awarded a fellowship in visiting professor program at the Korea National University of Arts (K'Arts). In the K’ Arts program,  I produced a body of work that addressed the extended theme of trauma and body and curated an exhibition based on my studio practices. In 2018, I was invited to a month's visiting research program by the Department of Fine Art at SOJO University in Japan. I have received special training in Japanese Painting in this program.

In addition to all these works related to the visual arts, my academic teaching career began in 2009 at the Department of Painting, Faculty of visual arts- UVPA. I worked at the faculty for fourteen years. I was the Head of the Department of Painting from May 2018 to May 2021.

Ongoing Research Projects and Publications

  • A Collective Writing on Trauma and Psychoanalytical Reading of Visual Arts
  • Transformation of the Heywood Building into a Museum titled "Museum of Visual Arts (MoVA)
  • Multidisciplinary Approach to Artistic Anatomy and Antomy in Medical Practice
  • Cast Collections and Colonialism: Case Study based on the Faculty of Visual Arts Collection in Colombo and Indian Subcontinent.

My research has been published in Athens Institute for Education and Research in Athens, Greece in 2015, 2016, and 2018 as well.

As an artist and a researcher, I strongly believe visiting visual arts collections and cities is important to develop self-studio practice, writing, and research further into a deeper level. I have been enormously inspired by being in person in in-front of real visual arts collections, museums, institutions, galleries, and cultural cities in the world. So, travelling is a key activity of my research practice. It includes the major art collections, museums, and institutions in San Francisco- CA, New York City, New Jersey, Pennsylvanian, New Heaven, Washington DC, Georgia in the USA,  Paris, Athens, Florence, Naples, Genova, Amsterdam, Antwerp, Brussels and Belgium, Fukuoka, Kumamoto, Kagoshima in Japan, Seoul, Busan in South Korea and Trivandrum in South India, and so on.

updated 2023, Colombo.


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"The Red Youth" : A Modern Painting in Sri Lanka

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Selected works 2006 - 2013

The works shown here were created  between 2006 and 2013. And the most of the works exhibited in Dumith Kulasekara's first and second solo shows which took place in 2008 and 2011 at the Harold Peries Gallery in Colombo 07, Sri Lanka. These works represent his visual forms and images of more than fifteen years research on the theme of  Trauma . In fact, Kulasekara's works bring together extreme critical, political view of the artist and aesthetic of language of painting that he gained through a rigorous practice in his studio.  All right received by Dumith Kulasekara 2015
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Visiting Researcher Program 2018 - 2019 Faculty of Fine Art, SOJO University, Kumamoto, Japan

On an invitation sent by the Fine Art Faculty of the SOJO University in Japan, I attended for one-month residency program on visual arts research from December 2018 to January 2019. The Faculty is located in Kumamoto city which is a very quiet and fantastic place for studying and living. The Faculty of the fine art of the SOJO University consists of departments of Western Painting, Japanese Style Painting, Graphic Designs, and Sculpture. I had opportunities to work in figure drawing sessions in the sculpture department with Professor Kayako Kusumato and Professor Katsuno who are the leading professors in the department of sculpture and professional sculptors in Japan. Observing these professional sculptors' studios located in the faculty building has taken me into places where all kinds of research activities on materials, forms, and conceptual strategies are taking place. The studios are full of studies of sculptures and objects in bronze, ceramics and terracotta, and mixed m
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