2016 First International Solo Exhibition Skins curated by Dumith Kulasekara

This exhibition included the body of works that I created during four months of the residency program at the fine art department of the K’Arts in Seoul, South Korea. The exhibition was held at 175 Gallery (K’Arts) in Seoul, South Korea. This show includes three larger size paintings and four drawings in Japanese Ink and drawings in ink and pen. In producing the works and curating the exhibition, I conceptualized Skins as a screen that exists as a shield of cover which prevents us from directly encountered the body (interior which is brutal and bloody). The works show the dresses with the in-completed body. I titled these works as a body without organs.

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Sri Lankan Modern Art: George Keyt: A Portrait of the Artist by Albert Dharmasiri

an Artist looking at an Artist George Keyt: A Portrait of the Artist by Albert Dharmasiri If I am not mistaken, I first met Professor Albert Dharmasiri in 2005 when I was a second-year student at the department of painting. Albert Dharmasiri who was the first Professor in Painting taught the courses in life drawing and life painting at the department. He had experiences of teaching and being in the highest academic bodies at UVPA nearly for four decades. One day, I remembered he came to the studio for life painting sessions with a book on one of the most celebrated figurative painters of all time Lucian Freud (1922 – 2011). He talked about the beauty of paint application in his nudes painting. In particular, the poses of the human body that Freud depicted were appreciated by Professor Dharmasiri. And in one of his drawing sessions, Professor Dharmsiri said that “look at the inner rhythmical structure of the human body, as you can see it in leaves...”. Albert Dharmasiri stud...

"The Red Youth" : A Modern Painting in Sri Lanka

The 1950s was a period that marked significant changes that happened on both the super and infrastructures of Sri Lanka. Such changes were reflected in cultural lives and their productions made within that context. In particular, from a political, social, and cultural point of view, the year 1956 was significantly traced as a period that the mainstream ideological belief of the country was turned into another direction (maybe with a belief of a positive future). At that time the state of the country thought that the roots of Sri Lankan energetic forces had been hidden, therefore, such forces should be re-generated. It formed a new political movement with empowering native five great forces. In this text, I am not going to discuss such issues and areas, obviously, it is another research. The reason that I slightly mentioned such historical background is because the subject of this text; "the Red Youth" (pic: 1) was painted in the year 1956. In 2018 (I cannot remember the exa...

George Keyt: A Portrait of The Artist by Albert Dharmasiri

Albert Dharmasiri was the first professor in Painting at the Department of Painting. His unique scholarly contribution to the literature of Sri Lankan Art has been significant and unavoidable landmark of writing of Sri Lankan Art. In the recent book, Dharmasiri relooks at George Keyt’s position in the context of Sri Lankan and South Asian Art. Unique scholarly investigation on Keytian Language of Drawing and Painting with very rare collection of reproduction of his works, this book gives a comprehensive reading of George Keyt’s works and his contemporary context as well. A comprehensive review of the book is published on this blog soon. Dumith Kulasekara January 30 2021

Dumith Kulasekara: Visual Arts Practice, Research & Writing.

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